Blackmagic Video Assist 4K features a 7” high resolution screen, two high speed recorders for non-stop Ultra HD recording, XLR mic inputs, a built in speaker and more! The larger screen is 1920 x 1200, so you can see a full 16:9 image without the status bar covering the picture. Video Assist 4K features the latest high speed UHS-II SD card recorders and can record 1080 HD as well as Ultra HD up to 2160p30 on low cost, readily available SD cards! You also get two extremely low noise professional analog mini XLR connections so you can bypass low quality DSLR audio and connect professional microphones directly.
The 7” Video Assist 4K records HD and Ultra HD up to 2160p30. You get incredible looking, broadcast quality 10-bit, 4:2:2 ProRes and DNxHR in Quicktime or MXF files that work with all major editing software so you can start editing without having to convert them! Recording can be automatically triggered from SDI and HDMI so you can stay focussed on getting the shot, without having to worry about operating additional gear! The 7” Video Assist 4K also has two recorders so when one card is full, it automatically continues recording onto the next!
Low cost, high performance storage you can get anywhere!
Both models record HD video using standard SD memory cards and the 7” Video Assist 4K can also record to super high performance UHS-II cards which are fast enough to record Ultra HD! By connecting Video Assist to your existing camera, you can eliminate proprietary and expensive media such as XDCAM, P2 and SxS. UHS-II cards are fully backwards compatible with regular SD card slots so you can just insert them into your computer to start editing the media immediately.
Both models of Blackmagic Video Assist can store and recall up to six 3D LUTs instantly so you can properly monitor footage on set with the “look” you need! Digital films are often shot in logarithmic colorspace, which is great for post production and color correction, but looks flat and washed out when viewed on the monitor. 3D LUTs solve this problem because they transform the camera’s image so that everyone on set can see the footage with the final look as the director intends it. You can even load LUTs to simulate different types of look or to simulate specific film stocks. Best of all, LUTs are completely non destructive because the original camera footage remains untouched!
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